The India Photo Archive Foundation presents Re-imaging The People of India (1850-2013) The People of India was an 8-volume publication compiled by John Forbes Watson and John William Kaye between 1868 and 1875. Originally conceived by Lord and Lady Canning, it was an early experiment with photography as a documentary … Continue reading →
The Lenswork 2013 Road Show & Seminars coming to a city near you. Conducted by Lenswork Editor Brooks Jensen, these affordable, topic-specific, half-day seminars on photography and the creative process, provide unique practical ideas for developing projects and finding an audience for your work. Projects: Editing, Sequencing, and the Finishing Touches … Continue reading →
ERWIN STAEHELI : Promenade March 15 – April 26, 2013 Galerie Monika Wertheimer Hohestrasse 134 4104 Oberwil/Basel Switzerland +41 61 403 17 78 mw@galeriewertheimer.ch www.galeriewertheimer.ch Erwin Staeheli http://www.winpic.ch
Continue reading →CHANG, CHAOTANG : Death & Life Of Fiction – Time Of No Shadows : Taipei Biennial 2012 : Curated By Anselm Frankes Time Of No Shadows by Anselm Frankes As a photographer, writer, filmmaker, and teacher, Chang, Chao-Tang has been one of the chief chroniclers of Taiwanese society since the … Continue reading →
The FOTOSEPTIEMBRE USA 2012 Festival starts in a couple of weeks. We hope to see you at the many wonderful exhibits on display this year. All FOTOSEPTIEMBRE USA 2012 exhibits and events are listed in the 2012 Exhibitions & Events Calendar, and in the Quick Sheet, both in this web … Continue reading →
Welcome to the new FOTOSEPTIEMBRE USA-SAFOTO web site. You can access the complete original site by clicking on the ARCHIVE in the Menu Bar. The calendar for the 2012 Exhibitions & Events is available in the pull-down menu for the FOTOSEPTIEMBRE link in the Menu Bar. Additional content and updates … Continue reading →
Chang, Chaotang’s images are deceptively simple. So is he. Introspectives : Photographs of Taiwan 1960 – 2005, is the third exhibit of Chaotang’s photographs I’ve curated in the span of a year. No mean feat. When I received a compilation of Chaotang’s work in early 2011, I took a cursory … Continue reading →